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The Prince
by Niccolò Machiavelli
Category: Fiction
Status: Available
Source: Public Domain — Project Gutenberg
About This Book
"The Prince" by Niccolò Machiavelli is a political treatise written in 1513 and published in 1532. Presented as an instruction guide for new rulers, this controversial work suggests that immoral acts may be necessary to achieve political power and glory. Written in vernacular Italian rather than Latin, it breaks from traditional advice literature by focusing on practical effectiveness over abstract ideals. Its worldview challenged dominant Catholic doctrines of the time, making "Machiavellian" synonymous with political cunning and contributing to modern negative connotations of politics itself. (This is an automatically generated summary.)
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About This Edition
This edition of The Prince by Niccolò Machiavelli is catalogued on Libreya under Fiction and runs approximately 49,656 words — about 248 minutes of reading at an average pace. It is sourced from Project Gutenberg, the world's oldest digital library of public domain literature, founded in 1971 by Michael Hart, and every text on Libreya has been verified to be free of copyright restrictions in the United States. You can view the original Project Gutenberg edition here.
On Libreya, the text has been carefully formatted for comfortable reading on any screen — with consistent chapter navigation, adjustable font sizes, and four reading themes: light, sepia, dark, and night mode. Your reading position is saved automatically when you sign in, so you can pick up exactly where you left off across any device. The original text has not been altered in any way; what you read here is the same work as it appeared in its original published form.
About Classic Fiction
Classic fiction represents the highest achievements of literary imagination. The novels in this genre have shaped how generations of readers understand human nature, society, and the fundamental questions of existence. Reading 19th and early 20th-century novels offers far more than historical interest: these stories explore love, ambition, morality, and identity with an insight that remains startlingly relevant today. Authors like Tolstoy, Dostoevsky, Austen, Hardy, and Dickens wrote for readers much like us — people trying to make sense of a complicated world — and their observations on class, relationships, power, and conscience carry across centuries with barely diminished force. Classic fiction is also where the novel as an art form reached some of its greatest heights: innovative narrative structures, deeply realized characters, and prose styles that reward slow, attentive reading. These are not museum pieces. They are living works that continue to be discussed, adapted, and argued over because they capture something essential and enduring about human experience.
