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In Homespun

by E. Nesbit

Category: Fiction

Status: Available

Source: Public Domain — Project Gutenberg

About This Book

"In Homespun" by E. Nesbit is a collection of short stories written during the late 19th century. The tales explore the lives of ordinary people in rural England, each narrated with charm and a sense of nostalgia for simpler times. The stories depict various characters and their everyday struggles, emphasizing themes of love, loss, and human folly, often infused with gentle humor. The opening of the book introduces us to Jane, who narrates her experiences living with her Aunt Maria, a cantankerous but well-meaning woman. Jane and her cousin Sarah visit Aunt Maria, foreseeing potential inheritance, and discover the complications of family dynamics when Jane accidentally breaks an old and valuable china bowl. As Jane navigates the challenges of making amends with her aunt while hiding the truth about the accident, the narrative unfolds with a blend of humor and tension, foreshadowing the lengths she will go to maintain her family's affections and secure her fortune. This sets the stage for a delightful exploration of character and circumstance that characterizes Nesbit's storytelling. (This is an automatically generated summary.)

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Produced by Charles Aldarondo. HTML version by Al Haines.

IN HOMESPUN

BY E. NESBIT

LONDON 1896

THESE tales are written in an English dialect--none the less a dialect for that it lacks uniformity in the misplacement of aspirates, and lacks, too, strange words misunderstanded of the reader.

In South Kent villages with names ending in 'den,' and out away on the Sussex downs where villages end in 'hurst,' live the plain people who talk this plain speech--a speech that should be sweeter in English ears than the implacable consonants of a northern kail-yard, or the soft one-vowelled talk of western hillsides.

All through the summer nights the market carts creak along the London road; to London go the wild young man and the steady young man who 'bette

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About This Edition

This edition of In Homespun by E. Nesbit is catalogued on Libreya under Fiction and runs approximately 39,466 words — about 197 minutes of reading at an average pace. It is sourced from Project Gutenberg, the world's oldest digital library of public domain literature, founded in 1971 by Michael Hart, and every text on Libreya has been verified to be free of copyright restrictions in the United States. You can view the original Project Gutenberg edition here.

On Libreya, the text has been carefully formatted for comfortable reading on any screen — with consistent chapter navigation, adjustable font sizes, and four reading themes: light, sepia, dark, and night mode. Your reading position is saved automatically when you sign in, so you can pick up exactly where you left off across any device. The original text has not been altered in any way; what you read here is the same work as it appeared in its original published form.

About Classic Fiction

Classic fiction represents the highest achievements of literary imagination. The novels in this genre have shaped how generations of readers understand human nature, society, and the fundamental questions of existence. Reading 19th and early 20th-century novels offers far more than historical interest: these stories explore love, ambition, morality, and identity with an insight that remains startlingly relevant today. Authors like Tolstoy, Dostoevsky, Austen, Hardy, and Dickens wrote for readers much like us — people trying to make sense of a complicated world — and their observations on class, relationships, power, and conscience carry across centuries with barely diminished force. Classic fiction is also where the novel as an art form reached some of its greatest heights: innovative narrative structures, deeply realized characters, and prose styles that reward slow, attentive reading. These are not museum pieces. They are living works that continue to be discussed, adapted, and argued over because they capture something essential and enduring about human experience.

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