0 readers
The Yellow Wallpaper
by Charlotte Perkins Gilman
Category: Fiction
Status: Available
Source: Public Domain — Project Gutenberg
About This Book
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a short story published in January 1892. This landmark work of feminist literature and horror fiction follows a woman confined to a nursery by her physician husband as treatment for "temporary nervous depression." Forbidden from working or writing, she documents her experience through secret journal entries. With nothing to occupy her mind but the room's disturbing yellow wallpaper, she descends into madness, becoming obsessed with its strange patterns and the figures she perceives within it. (This is an automatically generated summary.)
Preview
... (scroll to read more)
About This Edition
This edition of The Yellow Wallpaper by Charlotte Perkins Gilman is catalogued on Libreya under Fiction and runs approximately 6,085 words — about 30 minutes of reading at an average pace. It is sourced from Project Gutenberg, the world's oldest digital library of public domain literature, founded in 1971 by Michael Hart, and every text on Libreya has been verified to be free of copyright restrictions in the United States. You can view the original Project Gutenberg edition here.
On Libreya, the text has been carefully formatted for comfortable reading on any screen — with consistent chapter navigation, adjustable font sizes, and four reading themes: light, sepia, dark, and night mode. Your reading position is saved automatically when you sign in, so you can pick up exactly where you left off across any device. The original text has not been altered in any way; what you read here is the same work as it appeared in its original published form.
About Classic Fiction
Classic fiction represents the highest achievements of literary imagination. The novels in this genre have shaped how generations of readers understand human nature, society, and the fundamental questions of existence. Reading 19th and early 20th-century novels offers far more than historical interest: these stories explore love, ambition, morality, and identity with an insight that remains startlingly relevant today. Authors like Tolstoy, Dostoevsky, Austen, Hardy, and Dickens wrote for readers much like us — people trying to make sense of a complicated world — and their observations on class, relationships, power, and conscience carry across centuries with barely diminished force. Classic fiction is also where the novel as an art form reached some of its greatest heights: innovative narrative structures, deeply realized characters, and prose styles that reward slow, attentive reading. These are not museum pieces. They are living works that continue to be discussed, adapted, and argued over because they capture something essential and enduring about human experience.
