The People of the Abyss
by Jack London
Contents
The chief priests and rulers cry:—
“O Lord and Master, not ours the guilt,
We build but as our fathers built;
Behold thine images how they stand
Sovereign and sole through all our land.
“Our task is hard—with sword and flame,
To hold thine earth forever the same,
And with sharp crooks of steel to keep,
Still as thou leftest them, thy sheep.”
Then Christ sought out an artisan,
A low-browed, stunted, haggard man,
And a motherless girl whose fingers thin
Crushed from her faintly want and sin.
These set he in the midst of them,
And as they drew back their garment hem
For fear of defilement, “Lo, here,” said he,
“The images ye have made of me.”
JAMES RUSSELL LOWELL.
PREFACE
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About This Edition
This edition of The People of the Abyss by Jack London is catalogued on Libreya under Fiction and runs approximately 62,175 words — about 311 minutes of reading at an average pace. It is sourced from Project Gutenberg, the world's oldest digital library of public domain literature, founded in 1971 by Michael Hart, and every text on Libreya has been verified to be free of copyright restrictions in the United States. You can view the original Project Gutenberg edition here.
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About Classic Fiction
Classic fiction represents the highest achievements of literary imagination. The novels in this genre have shaped how generations of readers understand human nature, society, and the fundamental questions of existence. Reading 19th and early 20th-century novels offers far more than historical interest: these stories explore love, ambition, morality, and identity with an insight that remains startlingly relevant today. Authors like Tolstoy, Dostoevsky, Austen, Hardy, and Dickens wrote for readers much like us — people trying to make sense of a complicated world — and their observations on class, relationships, power, and conscience carry across centuries with barely diminished force. Classic fiction is also where the novel as an art form reached some of its greatest heights: innovative narrative structures, deeply realized characters, and prose styles that reward slow, attentive reading. These are not museum pieces. They are living works that continue to be discussed, adapted, and argued over because they capture something essential and enduring about human experience.
