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The Princess and Curdie
by George MacDonald
Category: Fiction
Status: Available
Source: Public Domain — Project Gutenberg
About This Book
"The Princess and Curdie" by George MacDonald is a children's fantasy novel published in 1883. In this sequel to "The Princess and the Goblin," young miner Curdie receives a mysterious gift from Princess Irene's magical grandmother: hands that can sense a person's true nature. Accompanied by a fearsome monster named Lina, he must journey to the royal palace where corrupt ministers are poisoning the king and plotting to seize the kingdom. Can Curdie save Princess Irene and her father before it's too late? (This is an automatically generated summary.)
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About This Edition
This edition of The Princess and Curdie by George MacDonald is catalogued on Libreya under Fiction and runs approximately 56,030 words — about 280 minutes of reading at an average pace. It is sourced from Project Gutenberg, the world's oldest digital library of public domain literature, founded in 1971 by Michael Hart, and every text on Libreya has been verified to be free of copyright restrictions in the United States. You can view the original Project Gutenberg edition here.
On Libreya, the text has been carefully formatted for comfortable reading on any screen — with consistent chapter navigation, adjustable font sizes, and four reading themes: light, sepia, dark, and night mode. Your reading position is saved automatically when you sign in, so you can pick up exactly where you left off across any device. The original text has not been altered in any way; what you read here is the same work as it appeared in its original published form.
About Classic Fiction
Classic fiction represents the highest achievements of literary imagination. The novels in this genre have shaped how generations of readers understand human nature, society, and the fundamental questions of existence. Reading 19th and early 20th-century novels offers far more than historical interest: these stories explore love, ambition, morality, and identity with an insight that remains startlingly relevant today. Authors like Tolstoy, Dostoevsky, Austen, Hardy, and Dickens wrote for readers much like us — people trying to make sense of a complicated world — and their observations on class, relationships, power, and conscience carry across centuries with barely diminished force. Classic fiction is also where the novel as an art form reached some of its greatest heights: innovative narrative structures, deeply realized characters, and prose styles that reward slow, attentive reading. These are not museum pieces. They are living works that continue to be discussed, adapted, and argued over because they capture something essential and enduring about human experience.
